By the way I’ve got to tell you. I’ve found a male servant.
"I spend more time being confused than not."
Haruki Murakami, Sputnik Sweetheart (via kaszandras)
I started writing in college. I had a great playwriting teacher who said ‘you should write’. It almost hadn’t occurred to me that that was something I could do. I was a theater fanatic when I was in high school and –– Wendy Wasserstein? Caryl Churchill? I could count on one hand the women I knew who wrote plays. Every great American playwright was a man. And so I just sort of were like, ‘they’re men, they’re probably smarter than me, I can’t do it’. And then someone was like ‘Why did you ever think that? You can totally do it.’ But I think if you don’t have examples, it’s very hard to imagine yourself doing it.
[ Greta Gerwig on the importance of women as screenwriters | x ]
"And I think to his defense, Tolkien was writing in 1937. You know, the world is a different place today and I keep repeatedly telling people that in this day and age to put nine hours of cinema entertainment in the theaters for young girls to go and watch and not have one female character is subliminally telling them you don’t count, you’re not important and you’re not pivotal to story. And I just think that they were very brave and very right in saying we won’t do that to the young female audience who come and watch our film. And not just the young female audience but even a woman of my own age, I think it’s time that we stop making stories that are only about men especially only about heroic men and I love that they made Tauriel a hero."
Evangeline Lilly, Desolation of Smaug world premiere press conference (via ifveniceissinking)
"Nancy Wake, who has died in London just before her 99th birthday, was a New Zealander brought up in Australia. She became a nurse, a journalist who interviewed Adolf Hitler, a wealthy French socialite, a British agent and a French resistance leader. She led 7,000 guerrilla fighters in battles against the Nazis in the northern Auvergne, just before the D-Day landings in 1944. On one occasion, she strangled an SS sentry with her bare hands. On another, she cycled 500 miles to replace lost codes. In June 1944, she led her fighters in an attack on the Gestapo headquarters at Montlucon in central France.
Ms Wake was furious the TV series [later made about her life] suggested she had had a love affair with one of her fellow fighters. She was too busy killing Nazis for amorous entanglements, she said.
Nancy recalled later in life that her parachute had snagged in a tree. The French resistance fighter who freed her said he wished all trees bore “such beautiful fruit.” Nancy retorted: “Don’t give me that French shit."
Ms. Wake … had mixed feelings about previous cinematic efforts to portray her wartime exploits … “It was well-acted but in parts it was extremely stupid,” she said. “At one stage they had me cooking eggs and bacon to feed the men. For goodness’ sake, did the Allies parachute me into France to fry eggs and bacon for the men? There wasn’t an egg to be had for love nor money. Even if there had been why would I be frying it? I had men to do that sort of thing.”
"Never are voices so beautiful as on a winter’s evening, when dusk almost hides the body, and they seem to issue from nothingness with a note of intimacy seldom heard by day."
Virginia Woolf,from Night and Day (Duckworth, 1919)
"In real life, Keaton believes in God. But she also believes that the radio works because there are tiny people inside it."
Woody Allen, on Diane Keaton (via lefrequenzesonnifere)
"I like stars more than anything else. I watch them as I fall asleep and wonder who lives on them and how to get there. The night sky looks so friendly with all those little twinkling eyes"
Snufkin, Tove Jansson. (via unicornsareblue)
"Q: How many male novelists does it take to screw in a lightbulb?
A: He lit a cigarette. His glass of whiskey lit a cigarette too. “I can only truly love my best friend,” he said, “but not in a gay way. Women wouldn’t understand it. They’re too gay.” Both of the cigarettes agreed."
I was born in the wrong generation, take me back to the paleoarchean era. I want to be insentient. I want to be bacteria
She [Delphine Seyrig] never made coffee in her life. I had to teach her to do this, and when we talk about how to make the veal and things like that. It was what I saw when I was a kid. My aunts and the aunts of my mother. The gestures of the women around when you are a child. What else are you looking at? What they do, the women. Usually, the man isn’t there. The man is working. And you have the woman, if it was a mother, or maid, or aunt, someone taking care of you as a child, 99 percent of the time it’s a woman. And you do things all the time. As a child, it is something you look at. So it’s really a film that was inscribed in me from my childhood.
-Chantal Akerman on Jeanne Dielman.
"I don’t feel enjoyment watching films that evoke passivity. If you need that kind of comfort, I don’t understand why you wouldn’t go to a spa."